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About Us

Data. Culture. Change.

We love culture and believe everyone should be able to create it and enjoy it.


But access to cultural opportunities are not equal. Cultural organisations are generally not reflective of the communities they serve. 


Things have got to change.


While we don't have a magic bullet, we agree with Baroness McGregor-Smith that effective use of data will be essential in making the sector truly and demonstratively reflective and inclusive. 


We're here to help cultural organisations, practitioners, funders and policy makers get the most out of data. We have decades of experience in the innovative use of data, a fundamental commitment to working in partnership and a desire to keep learning.    


If you share our vision of a thriving and equitable cultural sector, we'd love to hear from you and work with you. 


Quote - No company's commitment to diversity and inclusion can be taken seriously until it collects,

Our People

David Brownlee

David’s previous leadership roles include Chief Executive of Audiences UK, Executive Director of UK Theatre, Founding Director of the Family Arts Campaign, and Managing Director of Purple Seven.


He began his career in arts marketing and fundraising, before moving into local government as Head of Arts & Entertainment for the London Borough of Lewisham. He then joined Arts Council England, where he held one regional and two national director roles. During his time at ACE, he devised A Night Less Ordinary, the free ticket scheme for young people, and commissioned the research into local cultural engagement that led to the creation of the Creative People and Places programme.


As a data analyst, his clients have included the BBC, the Department for Digital, Culture, Media and Sport, and the Ambassador Theatre Group, the world’s largest theatre company.


His many publications include four editions of the Arts Index for the National Campaign for the Arts, two editions of the British Theatre Repertoire Report, and ten Insight Reports tracking the impact of the COVID-19 pandemic on the performing arts in the UK, Republic of Ireland, United States, and Canada.


In a voluntary capacity, David was part of the original campaign to establish an Audience Development Agency for London, and went on to serve as Vice Chair of Audiences London. He has also served on the boards of the National Campaign for the Arts and Nottingham Playhouse.


He is a regular contributor to The Stage and a visiting lecturer at the Rome Business School.

photograph of helen brownlee

Helen Brownlee

Over a twenty-year period, Helen's career in ticketing progressed from running the box office at the Crewe Lyceum to managing all aspects of the world's largest theatre ticketing business. She established the ATG Tickets brand and led a worldwide staff team of over 200. Her responsibilities included managing ATG's digital team and building one of world's most popular cultural websites (24 million unique visitors a year). She also established ATG's CRM team and managed the world's biggest theatre membership scheme (120,000 TheatreCard members).


Helen was a Board Member of the Society of Ticket Agents and Retailers for over a decade.


After leaving ATG, Helen's consulting clients included HQ Theatres, BH Live, Theatre Royal Plymouth and Hall for Cornwall.

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